Aimee & Jaguar: A Love Story, Berlin 1943 By Erica Fischer

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Aimee & Jaguar: A Love Story, Berlin 1943
 By Erica Fischer

Aimee & Jaguar: A Love Story, Berlin 1943 By Erica Fischer


Aimee & Jaguar: A Love Story, Berlin 1943
 By Erica Fischer


Free PDF Aimee & Jaguar: A Love Story, Berlin 1943 By Erica Fischer

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Aimee & Jaguar: A Love Story, Berlin 1943
 By Erica Fischer

  • Sales Rank: #630646 in Books
  • Published on: 2015-09-01
  • Released on: 2015-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .94" w x 5.31" l, .0 pounds
  • Binding: Paperback
  • 416 pages

Amazon.com Review
Acclaimed in Germany and England, this tragic and remarkable real-life love story won a Lambda Literary Award when it was first published in America in 1995. Lilly Wust ("Aimée") was a conventional middle-class mother of four, estranged from her philandering husband, when she met Felice Schragenheim ("Jaguar") in 1941. Their passionate affair unfolded against the backdrop of the deportation of Jews from Berlin, but several months passed before Felice could even bring herself to tell Lilly that she was Jewish and living illegally on the streets. "I knew, of course, what it meant," Lilly recalled in old age. "Not for a moment did I think that I too could be in danger. On the contrary, all I wanted to do now was to save her." Lilly's heroic efforts to conceal and protect Felice through the next two years make for painful and inspiring reading. Felice was arrested in August 1944 and sent her last letter to Lilly four months later. In 1981 Lilly was awarded the German Federal Service Cross, though no one could read this as a happy ending. --Regina Marler

From Publishers Weekly
This book doesn't seem to realize it is less about lesbianism and love than it is a jolting social history?achtung. It purports to be a tender wartime memoir of two Berlin lesbian lovers, one of whom turns out to be perhaps the most ordinary woman in Nazi Germany. It is hard to put down. Our sympathy is tapped because one of the lovers, Felice Schragenheim (Jaguar), is a U-boat?a Jew living underground. Fischer, a Viennese feminist and journalist, pieces together diaries, interviews, reminiscences?sometimes self-serving in the extreme on the part of their authors. For instance, 80-year-old Elisabeth Wust (Aimee) swears in interviews with the dubious Fischer that she didn't now what the Nazis were doing to the Jews, yet the instant Soviet troops tramped into Berlin, she passed off herself and her four kids as Jewish. Her husband, a Nazi officer, was swallowed up on the eastern front while Aimee dallied with every Heinz, Dick and Harry who crossed her threshold, as well as women lovers. The diary entries of Elisabeth reflect the unreflective, self-centered musings of a hausfrau that are in their own way as revealing of the Gotterdammerung of Nazi Germany as any report by a minister of state. Tumbling into obscurity in the postwar years, Elisabeth hangs on to her love for the lost Felice, and all that spent passion comes across as simply obsession.
Copyright 1995 Reed Business Information, Inc.

From Library Journal
Aimee was a housewife, mother of four, married to a Nazi officer. Jaguar was a Jewish woman living underground in Berlin during World War II. This is Aimee's remembrance of their unlikely romance. The account is based on interviews with Aimee, excerpts from her diary, letters and poems between the two women, and recollections of friends and family. A very poorly edited, disjointed narrative with little focus, the book fails in many ways. It is not an introspection on being or becoming lesbian. It is not the reminiscence of a woman who regrets not doing enough to save her lover from the Holocaust. It is not an inspirational memoir by an ordinary Berliner who learned great lessons from her experiences. Neither is it a compelling account of that dreadful time nor even much of a love story. Not recommended.?Jo McClamroch, Xavier Univ. Lib., Cincinnati
Copyright 1996 Reed Business Information, Inc.

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Aimee & Jaguar: A Love Story, Berlin 1943 By Erica Fischer


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